Whitlam
Months have passed since we returned from the blue zone, and my brown skin has faded. A jaundiced woman with dark eyes stares back at me in the jagged and chipped bathroom mirror at yiayia's house. I make my way into the living room.
There is a global pandemic under the name of COVID 19, and we are not supposed to visit family but today it is Greek Easter, and the Greeks have never been known to gather in small circles.
Today inside my yiayia's house in Bentleigh, there are 14 people, although the state government has announced that Victorians should not congregate in more than groups of two, and there will be heavy fines to anyone found visiting a friend.
Yiayia says she would rather die of sickness than loneliness, so Greek Easter has not been cancelled this year, as recommended by the Australian Prime Minister. She has lived through a war, so I take her point very seriously.
The greek radio is blaring a modern-day classic when I return to the living room, and yiayia speaks at a minuscule octave to greet me.
'Can I turn this down a little bit?' I am almost yelling.
'What?' She asks
'Can I turn it down! It's so loud.'
'Yes yes, turn it down, agapi you, it's breaking my nerves. I just couldn't be bothered to get up and turn it off.'
I can't hear her because of the radio, and she can’t hear me because she refuses to wear her hearing aids. I mute it so we can both hear, but the only sort of due to the rest of the racquet coming from the kitchen.
In the kitchen, my aunty Sofia is busy arranging a salad and banging the salad spinner around like a gravitron. She is talking rapidly to my mother, who is washing a greasy pan next to her by the small kitchen sink.
Mum does this thing where she changes her voice dependent on who she is speaking to. When she talks to Sofia, her voice is high pitched, fast-paced, bordering on frantic and she puts on that Greek/Australian accent that many of the second generation folk have acquired.
Outside, my uncle is talking in colours, a dissenting voice that is louder than your average, in fact, he is almost yelling at my sister and Jack, who are sitting in the living room at least 3 metres away and I wonder why he doesn't just move closer, so he doesn't have to scream. As a causal pedestrian walking past on the street, the noise he makes suggests Tourette's syndrome or serious abuse, but he merely tells a story about the scar on his foot.
He always does this to new people, I think to myself. I watch a smirk emerge on Jacks face as he catches my eye. 'It was this fucking big', screams uncle, as his arm width widens to the furthest possible length, which isn't that far given his short, stocky stature. He tells his famous old story about how the crocodile attacked his foot on the river in Darwin while he was taking a break from the football field, and how the doctor sewed it back together using a needle and thread, no anesthetic. A close encounter with death.
He is left with an enormous scar along the side of his left foot. I'm still not entirely convinced that the story is true, but he speaks with such animation and conviction, that I give him the benefit of the doubt.
Dad, the quiet observer, is roaming around the backyard, enjoying his own company and tying up the grapevine that has fallen from the side of the wooden stake that has been carelessly pushed into the soil.
They couldn't be more different, dad and his brother, but I think that's why they ran a business so well together. My uncle, the lively, animated relationship holder that won people over with his charisma and charm, and my dad, the estimator, the quiet achiever, the brains behind the business that did all the maths behind the sideline. It was a very Greek thing to do, start a construction company with your brother in the 1980s, but they did it well. The company had now grown with over 200 employers and took on some of the most significant contracts in Melbourne, Sydney, and now the Pacific. Now they had three of my cousins, my sister, and Sam, amongst other people, all running a relatively large business out of an office they bought in Moorabbin 25 years ago.
The office in Morrabin, Warrigal road, sat on the corner of a busy intersection; Nevertheless, people could hear them in the next suburb, despite the traffic pollution. It swarmed with people like my uncle, talking 10 octaves higher than your average individual and pacing around on the phone as if they had somewhere to be. They didn't use pagers or intercoms or emails, they yelled at each other. They didn't eat food, they drunk ten black coffees a day to keep the tension high and the work flowing. It was chaos, but I liked going in there because it smelt familiar, a smell I had known forever and no matter how macho they all thought they were, they were nice to me because I was the boss's eldest daughter.
Back to Easter. Yiayia is remarkably nonchalant about the pandemic while she grabs my face and kisses both cheeks.
αγάπη μου, μπορείς να πάρεις τα λεμόνια;
'Can you go and get some lemons, my love'.
I comply and make my way to the lemon tree in the backyard. On route, I bypass by the garage to throw the pips of the olives I have been chewing on into the green bin, when I see, sitting on the washing machine in the garage next to the OMO washing powder and some basil seedlings, a dead chicken, fully feathered with its head severed off and tossed into a nearby green crate. It is covered in a thick layer of dark red blood as is the neat rim of the silver blade that makes up part of the axe placed neatly next to it.
'For fucks sake', I mutter under my breath as I hear my uncle's voice grow louder outside. 'We are not in the village!' Another dead bird in her backyard.
Without lemon, I made my way inside to question my yiayia why this time, a dead chicken was sitting on her washing machine.
'It stopped laying eggs' she replied, a matter of factly. 'Why would I spend my money feeding it food when it wasn't giving me eggs' 'i'll pluck it and freeze it tomorrow so we can have it for dinner next week, okay, my love' A smile forms across her face and the deep wrinkles around her wise eyes bunch up.
On the table in front of us, is an array of cheeses, tzatziki, bread, boiled eggs, jams, meats, patates, domathes, rice, melenzana, meats, pastas and salads, cut up peponi.
When we eat at yiayias, we never eat around a table. The table is where the food is presented, the plates stacked high, and there is a plate full of mixed silver cutlery. We take one, add as much food as possible to the plate, and head outside. We scatter around the backyard like flies. I always like to sit on the strip of concrete that runs through the middle of the backyard because it has full sun exposure and is warm on my bum. Yiayia sits on a chair next to me.
'το κοτόπουλο δεν έβαλε αυγά, αγάπη μου Γιατί θα ήθελα ένα τεμπέλης κοτόπουλο;'
'The chicken wasn't laying eggs' she repeated.
'Why would I want a lazy chicken that doesn't lay eggs'
There is an enormous disconnect between a dead chicken flopped over the washing machine, fully feathered and covered in blood and a dead chicken, headless and plucked wrapped in plastic sitting neatly stacked in the refrigerator in the poultry section at Coles. There is no disconnect for my yiayia because in the village to put food on the table she would catch the chicken from outside, bring it back in a bloody plastic bag, pluck it wash it, groom it to cover it in olive oil if there is any available and put it on the stove.
I saw this first hand in the village when I visited Sparta, age 12. Yiayias sister, Dimitra, brought back a chicken in a plastic bag full of blood, late night in August before the paniyiri and that night we ate well.
I nod in agreement with her. I guess it’s not a pet, more of a worker.
She picks at the chicken on her plate with the fork.
'How is your house going, over there' still in Greek. She is referring to Carlton. I am yet to inform her I have bought a house in Geelong with my unmarried boyfriend.
'It's good, yiayia, I like living there, it's close to work and close to the city, I can ride my bike."
But why are you wasting your money on paying rent! You work very hard, you should be putting your money away, come and live here with me!'
I laugh because she always suggests I either move home to mum and dads or move into her house for the sole reason of saving money.
'It's hard now, I know’ she continues. 'Things these days aren't as simple.'
'You know when I moved here, I lost my job for 9 months!' 'They stopped all the jobs because of the recession' Whitlam paid us, but once a month, Peter would take me to Centrelink to try and find a job' 'Finally, I got into the curtains and worked for ten years! Even more. But it's hard when you're paying rent.'
She always talks about Whitlam, my grandmother. Gogh Whitlam was the Federal Prime Minister and leader of Australia's Labor party in 1972, representing the working class. Greeks love the Labor party.
She continued. 'When Whitlam gave a lot of money to all, after a year, they stopped him. They closed all the jobs. I remember it all. One month I didn't work, but the government paid us, Whitlam paid us! I sat and got paid. But once a month, we had to go and try and find work from the centre link. Each month, your dad would take me, or Peters English friend so we could understand.’
For one month I didn't work, and then the next month I found a job making curtains. I sat and rested. Then I went into the curtains and worked for ten years, even more. If you're paying rent, life is expensive! You shouldn't be paying rent.
I had heard my yiayia sing Whitlam's praise many times before, but this time, I couldn't help but draw comparisons to what was happening right now, in Melbourne. The Labor government was paying everyone that had lost their job a weekly wage to keep their heads treading water while the global pandemic engulfed the economy and killed off the weak.
Lunch finished at 5 pm, and I had to go. There was a long drive back to Geelong, and I was the designated driver given Jack had lost his licence for drink driving last month. I round him up, and we say our goodbyes as yiayia shoves a yoghurt container full of roast chicken into my right hand and a hundred dollar bill into my left hand. 'πήγαινε να αγοράσεις έναν καφέ - 'go and buy yourself a coffee' she whispers into my ears as I hug her and move towards the door.
A warm feeling washes over me, and it feels nice to be alive today.
A coffee on the Labor government.